"Hold On" Self-Portrait

Wow! Where do I start with this one? Michael “Sully” Sullivan and I have worked numerously on other projects. I was able to help him with his personal Team MVP stamp and multiple Gyroscope designs for the local events he runs with MVP discs. Mike came to me late last year with the idea he had of recruiting artists and just letting them do their thing. Drive home what’s important to them, their particular nuances and inspirations, and seeing what manifests from the idea. Soon enough, Michael was off and running and had me in mind for one of the first chosen artists. I simply couldn’t resist. To have that kind of trust to allow the artist to roll with what inspires them has so far been an idea paying huge dividends.

Why eyeballs and feathers?: I have a deep admiration for my father. He was very young at the time that he and my biological mother split ways. He worked long hours and with the help of my grandmother, took care of my sister and I. You have to be selfless as a parent and I’m learning those things rather quickly. At a very young age; I’ve seen numerous eagle imagery and have been inspired by some of the graphical posters/ tapestries on the walls of our home. While birds aren’t exactly easy to draw, they tend to create some really dynamic and interesting shapes. I enjoy that there are numerous ways to shift the head, body, and talons to create something unique. I chose a bald eagle because of my upbringing, & military service to my country. While it may be some hard times right now for a lot of people in the world and more specifically, within the U.S; I feel the eagle idea hit both a personal side and an aid to a more hidden message of resiliency, being present and educated with what’s going around you. This particular eagle doesn’t have its wings out to slow his movement. They’re fully back allowing less drag. I use these wind tunnel-like lines to accentuate it. This eagle is very much in control.

But Mike… eyeballs?: Eyeballs. What can I say? My love of Rat Fink, skateboard art, counterculture, and the weird. That’s why I love drawing and using them in my personal and professional work (when it fits the project). This eagle could very much rip this fleshy ball of goo with ease but he simply isn’t. I wanted a story and adding tension between the two elements was a starting point. There really aren’t any boundaries except the ones you create for yourself. I love that the most when creating in this style.

Is there a story?: This idea wasn’t there from the project kick-off. It just sort of clicked when pushing the final thumbnail phase. The eagle can symbolize the all-seeing eye. In my piece, the eagle aids the eye to look at the world from above. It would later set the hierarchy for the composition itself. I very much had in mind to bring in Western NY hidden elements. I’m a die-hard Buffalo Bills fan. Having nothing really stopping my personal aspirations, everything sounded like an awesome idea! I relied heavily on my past hot stamp design experience to pump the brakes. All of those elements simply weren’t going read well so they were scrapped. While the project was fully in my hands to do whatever I please (within acceptable reason), the rules of composition, read & graphic nature kept the stamp from becoming a total mess.

The ultimate goal was to create something people would visually gravitate to. While polishing up and choosing, the idea of this giant bird allowing the human eye to see the world from its view, spoke to me. We are still dealing with the COVID-19 virus, inequality, and a country very much in a shaky situation. Is it acceptable in disc golf to talk about these things? Why not? We’re individuals with our own views and ideals. This stamp definitely doesn’t tell you what to think; it says to pull back, look at the world from a different angle. All in all, this project was a lot of fun and something I definitely looking forward to doing again in some compacity. I can’t thank Mike enough for getting it rolling.

Luckily, there are still a few available after the initial pre-order time. Be quick but you can order and support my Self-Portrait by reaching out to Mike Sullivan here:
https://www.facebook.com/Sully68783

Gyroscope 2020

GYROscope is an event ran by Mike Sullivan out of Northern Virginia. The goal of the tournament is to promote MVP Disc Sports, run a fun PDGA (Professional Disc Golf Association) event and offer a one of a kind disc per event. Last year’s, 2019 think tank produced a handful of ideas and one of those core concepts was reciprocated to 2020.

There’s a dead-center area of the disc that get’s unpredictable with stamping. Because of that reason, designers are faced with working the art around this area. The second thing I noticed is while the concept showed a sense of scale, the gyroscope wasn’t really present. I was more similar to a floating orb and I wanted to change it to a grounded structure. The concept fed off of last year’s Gyromonster theme. The Gyronauts figured out that the Gyromonster wasn't simply exchanging energy for its own benefit, it was taking that energy and spreading it far across the galaxy to an ancient source. This scene shows the travelers discovering the ancient ruin.

The design really only took a bit of 3D staging within Google Sketchup and re-inking cleanup. The gradient effect for the 2nd applied foil was done with a halftone dot technique. It’s the most efficient and practical way to lay down transitions in single color layers. I want to thank Mike Sullivan for the continued support and having faith in me to deliver a quality design. It’s with that confidence, that I’m able to hunker down and come out with something we’re all proud of.

How do acquire this stamp? Reach out to Mike Sullivan through
https://www.discgolfscene.com/tournaments/MVP_Disc_Sports_presents_GYROscope_1_The_Third_Campside_Open_2020/registration

OR

his Facebook page for future releases.

Mike 'Sully' Sullivan "45"

When Mike Sullivan of Team MVP approached me to do his Team MVP stamp, he was kind of giving me the reigns to come up with something. We chatted a bit over private message and our conversation led to music. Mike is a huge 70's punk/ New Wave fan. He also shares a common interest in vinyl. I've been wanting to do a record stamp for a while now and this was the opportunity to pitch it. Some of his favorite bands from that era were Crass, Joy Division and The Clash. My advice to upcoming designers: Talk to you clients! Make a connection. You just never know what might come out of it. I’m sure most people outside looking in had no idea Sully used to be an avid vinyl collector. I’m glad both and he and I were excited about pursuing this challenge.

Mike loved the idea and I quickly got to work. The hardest thing about doing this was that this needs to work on every disc color. Records are finely detailed and it would take lines under typical stamping requirements to pull off the sheen/ intricacies of the grooves. I had to plan smart and figure out a way that this could be possible, while also keeping it graphic and instantly recognizable. One common theme we both agreed on from the very beginning is this was before advances in colored label and surfaces. Most punk records were black and white or very simple graphically. I don’t know much about these bands so it was straight to google search to get some overall themes established. We knew that a full 12” record wasn’t doable with the center sprue being off limits. The next option was a 7” and if fit perfectly for what we were wanting to pull off.

The important thing about this stamp was breaking up the huge fields of black within the design. I used a simple halftone pattern technique to break apart the solid black and help ease up the overall tonnage for the stamping machine. One reference I found really fit well for placing all the information while mimicking the exact punk style Mike was aiming for. I had a blast working in a different style than past stamps. The initial plan was to use a clear holofoil for the record surface. MVP was out of that foil so they wisely went silver metallic and it worked out perfectly. It reflects the disc color and almost achieves the same effect we were going after.

Overall, I appreciate Mike Sully giving me full reign to run with it. I feel these bursts of excitement toward a project creates an overall better product in the end. Thanks everyone for tuning and and learning a bit about how I was able to pull it off! Share this blog if you feel so inclined.